{"id":677,"date":"2021-01-13T18:05:05","date_gmt":"2021-01-13T10:05:05","guid":{"rendered":"http:\/\/www.zhangbeichen.com\/?page_id=677"},"modified":"2026-01-19T19:56:08","modified_gmt":"2026-01-19T11:56:08","slug":"lectures-talks","status":"publish","type":"page","link":"https:\/\/www.zhangbeichen.com\/?page_id=677","title":{"rendered":"Panel \/ Guest Speaker \/Tangent Collective \u5206\u4eab,\u6f14\u8bb2\u6d3b\u52a8,\u63a2\u9488\u5c0f\u7ec4"},"content":{"rendered":"\n
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2025 Share<\/strong>, Dynamic Archives<\/strong><\/mark>, Asia Art Archive and BY ART MATTERS, Hangzhou, China<\/p>\n\n\n\n

2025 Share<\/strong>, Artist Talk<\/mark>,<\/mark><\/strong> Fotografiska Shanghai, Shanghai, China<\/p>\n\n\n\n

2025<\/strong> Share<\/strong>, From’Han Dynasty Bricks’ to ‘Coolie Archives’: Colonial Legacies and Decolonial Practices in the Encyclopedic Museum,<\/mark><\/strong> Goethe Institute Beijing, China<\/p>\n\n\n\n

2024 Interview<\/strong>, Back to the island,<\/mark><\/strong> Gulangyu academy of Arts and Kulangsu Center for Contemporary Art , Xiamen, China<\/p>\n\n\n\n

2024 Interview,<\/strong> Artist Interview<\/mark><\/strong>, Suzhou China Central Place,Suzhou,China<\/p>\n\n\n\n

2024 Share, Shore\/Island\/Mining\/Pine<\/mark>, <\/strong>Jiazazhi, Ningbo, China<\/p>\n\n\n\n

2023 S<\/mark><\/strong>hare<\/strong>:<\/mark> 11,565 kilometers, a conversation about the circulation of artifacts<\/strong><\/mark>, Modern Art Museum Shanghai, guest: He Yining (Curator, Writer, Researcher), host: Gao Zhejun(Curator)<\/p>\n\n\n\n

2023 Lecture:<\/strong> Resonance<\/strong><\/mark>, Shanghai Gubei Yew Wah School<\/p>\n\n\n\n

2022 Talk<\/strong>, Jimei-Arles resident sharing events<\/strong><\/mark>, Xiamen, China <\/p>\n\n\n\n

2021<\/strong> and 2023<\/strong> Lecture<\/strong>, <\/mark>Photography and Archive<\/mark><\/strong>, Qingdao Agricultural University Humanities and Social Sciences, Qingdao, China<\/p>\n\n\n\n

2021 Lecture<\/strong>, The power behind the landscape<\/strong><\/mark>, Shandong University of Arts, Jinan, China<\/p>\n\n\n\n

2020 Lecture,<\/strong> Railway, Shipping La<\/strong><\/mark>ne and the Artifacts<\/mark> Sailing Network<\/mark>,<\/strong> Inspire Gallery, Zhengzhou, China<\/p>\n\n\n\n

2020 Share<\/strong> (Remote) , Artist Beichen Zhang: From museum to the farmland<\/strong>, <\/mark>Three Shadows Photography Centre, Beijing, China<\/p>\n\n\n\n

2020<\/strong> Lecture<\/strong> (Remote)\uff0cPhotography Archive and 11,565 Kilometers Project<\/strong><\/mark>, Shandong University of Arts, Jinan, China<\/p>\n\n\n\n

2020 Lecture <\/strong>(Remote), Photography Archive and the Creation of Digital Aesthetic<\/strong><\/mark>, Communication University of China, Nanjing, China<\/p>\n<\/div>\n\n\n\n

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2025 \u5206\u4eab<\/strong>\uff1a\u6d3b\u529b\u6863\u6848<\/mark>\uff0c\u5929\u76ee\u91cc\u7f8e\u672f\u9986\u4e0e\u4e9a\u6d32\u827a\u672f\u6587\u732e\u4e2d\u5fc3\uff0c\u676d\u5dde\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2025 \u5206\u4eab<\/strong>\uff1a\u827a\u672f\u5bb6\u5ea7\u8c08<\/mark>\uff0cFotografiska Shanghai, \u4e0a\u6d77\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2025 \u5206\u4eab<\/strong>\uff1a\u4ece\u201c\u6c49\u7816\u201d\u5230\u201c\u82e6\u529b\u6863\u6848\u201d\uff1a\u201c\u767e\u79d1\u5168\u4e66\u5f0f\u201d\u535a\u7269\u9986\u7684\u6b96\u6c11\u9057\u4ea7\u4e0e\u89e3\u6b96\u5b9e\u8df5<\/mark>\uff0c\u5317\u4eac\u5fb7\u56fd\u6587\u5316\u4e2d\u5fc3\u6b4c\u5fb7<\/mark><\/mark>\u5b66\u9662\uff0c\u5317\u4eac\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2024 \u4e13\u8bbf<\/strong>\uff1a\u91cd\u8fd4\u5c9b\u5c7f<\/mark>\uff0c\u9f13\u6d6a\u5c7f\u7f8e\u9662\u548c\u9f13\u6d6a\u5c7f\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff0c\u53a6\u95e8\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2024 \u4e13\u8bbf\uff1a<\/strong>\u827a\u672f\u5bb6\u4e13\u8bbf\uff0c<\/mark>\u534e\u8d38\u827a\u672f\u4e2d\u5fc3\uff0c\u82cf\u5dde\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2024 \u5206\u4eab<\/strong>\uff1a\u5cb8\/\u5c9b\/\u77ff\/\u677e\/<\/mark>\uff0c\u5047\u6742\u5fd7\uff0c\u5b81\u6ce2\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2023 \u5206\u4eab<\/strong>\uff1a11565\u516c\u91cc\u4e00\u6b21\u5173\u4e8e\u6587\u7269\u8fc1\u79fb\u7684\u5bf9\u8bdd<\/mark>\uff0c\u827a\u4ed3\u7f8e\u672f\u9986\uff0c\u5609\u5bbe\uff1a\u4f55\u4f0a\u5b81\uff0c\u4e3b\u6301\u4eba\uff1a\u9ad8\u54f2\u541b<\/p>\n\n\n\n

2023 \u8bb2\u5ea7\uff1a<\/strong>\u56de\u54cd<\/mark>\uff0c \u4e0a\u6d77\u53e4\u5317\u8000\u534e\u5b66\u6821\uff0c\u4e0a\u6d77\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2022 \u5206\u4eab<\/strong>\uff1a\u96c6\u7f8e\u963f\u5c14\u52d2\u9a7b\u5730\u6d3b\u52a8\u5206\u4eab<\/mark>\uff0c\u53a6\u95e8\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2021\u4e0e2023 \u8bb2\u5ea7<\/strong>\uff1a\u6444\u5f71\u4e0e\u6863\u6848\uff0c<\/mark>\u9752\u5c9b\u519c\u4e1a\u5927\u5b66\u4eba\u6587\u4e0e\u793e\u4f1a\u5b66\u9662<\/mark>\uff0c\u9752\u5c9b\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2021 \u8bb2\u5ea7<\/strong>\uff1a\u666f\u89c2\u80cc\u540e\u7684\u6743\u529b<\/mark>\uff0c\u5c71\u4e1c\u827a\u672f\u5b66\u9662\u4f20\u5a92\u5b66\u9662\uff0c\u6d4e\u5357\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2020 \u8bb2\u5ea7\uff1a<\/strong>\u6d77\u8def\uff0c\u94c1\u8def\u4e0e\u6587\u7269\u7f51\u7edc<\/mark>\uff0c\u67cf\u5c14\u827a\u672f\u7a7a\u95f4\uff0c\u90d1\u5dde\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2020 \u5206\u4eab<\/strong>\uff1a\u5f20\u5317\u8fb0\uff0c\u4ece\u535a\u7269\u9986\u5230\u65f7\u91ce<\/mark>\uff0c\u4e09\u5f71\u5802\u6444\u5f71\u827a\u672f\u4e2d\u5fc3\uff0c\u5317\u4eac\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2020<\/strong> \u8bb2\u5ea7<\/strong>\uff1a\u5f20\u5317\u8fb0\u7684\u6444\u5f71\u6863\u6848\u4e0e11\uff0c565\u516c\u91cc\u9879\u76ee<\/mark>\uff0c\u5c71\u4e1c\u827a\u672f\u5b66\u9662\uff0c\u6d4e\u5357\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

2020 \u8bb2\u5ea7<\/strong>\uff1a\u6863\u6848\u6444\u5f71\u4e0e\u7535\u5b50\u5a92\u4ecb\u7f8e\u5b66<\/mark>\uff0c\u4e2d\u56fd\u4f20\u5a92\u5927\u5b66\u5357\u5e7f\u5b66\u9662\uff0c\u5357\u4eac\uff0c\u4e2d\u56fd<\/p>\n\n\n\n

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Tangent Collective \u63a2\u9488\u5c0f\u7ec4<\/strong><\/p>\n\n\n\n

Beichen Zhang<\/strong> is also a founding member of <\/mark>Tangent Collective<\/mark><\/a><\/strong>. Founded in 2021, Tangent Collective is a nomadic artists and curators collective maneuvering in between Canada, China and the US. They incubate cross-disciplinary dialogues and research-based practice centring on issues of decolonization, postcolonialism, global infrastructure, and environmental discourse, fostering regional exchange and dialogues between artists within and outside of the greater Chinese diaspora. Its research-based projects have been presented internationally, with recent appearances including the Jimei\u2013Arles Curator Award (2022), Trinity Square Video (2023), and the Art Gallery of Ontario (2023).<\/p>\n\n\n\n

More info on https:\/\/www.tangentcollective.com\/<\/a><\/p>\n\n\n\n

\u5f20\u5317\u8fb0<\/strong>\u4e5f\u662f\u7b56\u5c55\u4e0e\u7814\u7a76\u5c0f\u7ec4\u201c\u63a2\u9488\u5c0f\u7ec4\u201d<\/mark><\/a><\/strong>\u7684\u521b\u529e\u6210\u5458\u4e4b\u4e00\uff0c\u8be5\u5c0f\u7ec4\u6210\u7acb\u4e8e2021\u5e74\uff0c\u5c0f\u7ec4\u662f\u4e00\u4e2a\u6d3b\u52a8\u4e8e\u52a0\u62ff\u5927\u4e0e\u4e2d\u56fd\u7684\u6e38\u7267\u6027\u827a\u672f\u7ec4\u7ec7\u3002\u7740\u91cd\u5f53\u4ee3\u827a\u672f\u9886\u57df\u7684\u8de8\u5a92\u4ecb\u7814\u7a76\u4e0e\u89e3\u6b96\u6c11\u5b9e\u8df5\u3001\u540e\u6b96\u6c11\u751f\u6001\u6279\u5224\u4e0e\u5168\u7403\u57fa\u5efa\u7814\u7a76\u3002\u4ece\u6210\u7acb\u4e4b\u521d\uff0c\u5c0f\u7ec4\u5c31\u7814\u7a76\u8bfe\u9898\u64cd\u529e50+\u7ebf\u4e0a\u4e0b\u6d3b\u52a8\u3001\u5bf9\u8c08\u4e0e\u5206\u4eab\u4f1a\u3002\u5c0f\u7ec4\u7684\u7814\u7a76\u9879\u76ee\u4e5f\u5728\u5404\u5730\u5c55\u51fa\uff0c\u8fd1\u671f\u5305\u62ec\u96c6\u7f8e\u963f\u5c14\u52d2\u7b56\u5c55\u4eba\u5956 (2022), Trinity Square Video (2023), \u5b89\u5927\u7565\u535a\u7269\u9986 (2023)\u3002<\/p>\n\n\n\n

\u66f4\u591a\u7684\u4fe1\u606f\u60a8\u53ef\u4ee5\u8bbf\u95ee https:\/\/www.tangentcollective.com\/<\/a><\/p>\n\n\n\n

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2025 Share, Dynamic Archives, Asia Art Archive and BY A […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/text.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/pages\/677"}],"collection":[{"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=677"}],"version-history":[{"count":60,"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/pages\/677\/revisions"}],"predecessor-version":[{"id":2042,"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=\/wp\/v2\/pages\/677\/revisions\/2042"}],"wp:attachment":[{"href":"https:\/\/www.zhangbeichen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}